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Paris Olympics apologises for 'Last Supper' tableau

The Paris Olympics organisers have issued an apology for a controversial performance at the opening ceremony, which featured drag queens in what appeared to be a parody of Leonardo da Vinci's "The Last Supper." This tableau provoked strong disapproval from conservatives worldwide, who argued that it mocked Catholics and Christianity.

News Arena Network - Paris - UPDATED: July 28, 2024, 10:08 PM - 2 min read

Paris Olympics Defends Diversity In Opening Ceremony.

Paris Olympics apologises for 'Last Supper' tableau

Paris Olympics Defends Diversity In Opening Ceremony.


The Paris Olympics organisers have issued an apology for a controversial performance at the opening ceremony, which featured drag queens in what appeared to be a parody of Leonardo da Vinci's "The Last Supper." This tableau provoked strong disapproval from conservatives worldwide, who argued that it mocked Catholics and Christianity.

 

The creative director of the opening ceremony, Thomas Jolly, explained that the performance was meant to celebrate diversity and pay tribute to feasting and French gastronomy.

 

At a press conference, Jolly emphasised that there was no intention to disrespect any religious group. Instead, he aimed to celebrate community tolerance and believed that this ambition was achieved, according to polls shared by the organisers. Anne Descamps, a spokesperson for Paris Olympics 2024, echoed Jolly's sentiments, stating that if anyone was offended, they were genuinely sorry.

 

Jolly further clarified his intentions in an interview with The Associated Press, stating that his goal was not to be subversive or to shock but to send a message of love and inclusion. He stressed that the performance was meant to unify, not divide.

 

The International Olympic Committee (IOC) welcomed the apology and the clarification from the Paris Olympics organisers. In an official statement, the IOC acknowledged the explanation and expressed its approval.

 

The performance that sparked controversy featured 18 performers posing behind a long table, reminiscent of the depiction of Jesus and His Twelve Apostles in da Vinci's "The Last Supper."

 

A key point of contention was a woman wearing a large silver headdress, resembling the halo often seen in artistic representations of Jesus. Additionally, another act involved a man painted in blue and adorned with a string of flowers and fruit, seemingly presented as a dish for the 'Last Supper', which also drew significant criticism.

 

The Anglican Communion in Egypt expressed "deep regret" over the acts, suggesting that such performances could cause the IOC to "lose its distinctive sporting identity and its humanitarian message." This sentiment was shared by many who felt that the performance crossed a line and detracted from the event's intended celebration of sports and unity.

 

Despite the backlash, the Paris Olympics organisers maintain that their intention was to promote inclusivity and diversity, key values that they believe are central to the spirit of the Olympics.

 

The apology and subsequent clarification aim to address the concerns raised and to reaffirm the commitment to these values while respecting all communities.

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